![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj410_Z5dnBYE9sDPFgd2UPFABeOpraDhfwKIj1HwugfKzcmeOBkarM77Z_ASShLI0oqr2ZMJ44HYaYwc3jTKicPoymiG94gglNBpJiqa7YTvmB1n6AE78o6zZiCONLkxEkr8CzQiLC-0Y-/s650/A+Zed+%2526+Two+Noughts+%2528Zoo%2529.bmp)
"An American critic wrote that she would rather be forced to read the New York telephone directory three times than watch the film A Zed and Two Noughts, a third of which was a homage to Vermeer. Conceivably, if you are a list-enthusiast like me, the New York telephone directory might be fascinating, demographically, geographically, historically, typographically, cartographically; but I am sure no compliment was intended."
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLOEvscjYcZ2GLRQqwp50HJJW7W32B8VfJWyND0TwwaBEmzsYq8FWeU5hcdo-jGU0XD-rraqL2L3xzfOJJvIryt1S7d78vwngyAXrIXEwaVarNeQU_PXiHfFX777a608U6hQrxMBy4Od1F/s400/LADY+IN+RED+H..png)
"The overall visual master-of-ceremonies of the film was to be Vermeer - adroit and prophetic manipulator of the two essentials of cinema - the split-second of action,
and drama revealed by light."
and drama revealed by light."
(PETER GREENAWAY)
. . .
3 comentarios:
Antes de ver la filmografía de Buñuel me gustaria saber si tiene alguna relación con Vermeer o ¿tengo que descubrirla después?
Una pintura muy personal. Me gusta su color; los matices del rojo del sombrero están muy bien, y el fondo una maravilla.
Un abrazo, CINEXIM
Uy, qué pintoresco se ha vuelto el blog desde que no entraba!
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